![]() For all the quirks in this 95 minute show, however, it didn't skimp on the hits, including a conventionally rocking take on "Cinnamon Girl." Yet, it found its soul by proving that this old dog can still find a wily new trick.Since 1968, Neil Young-who was born in Toronto in 1945-has been making raucous, astringent guitar music, both as a solo artist and with his longtime backing band, Crazy Horse. ![]() Young also added an oddly comic, unrecorded song called "You Never Call," whose lyrics rambled in ways that seemed deliberately unpoetic. In fact, the set list closely mirrored those from this entire leg of the tour. Throughout the show, he strolled leisurely around the instruments as if pondering what song he'd play next. One other Young incarnation showed up Sunday night: the eccentric. The star also made use of three keyboards on stage, including a vintage piano on an unrecorded children's song ("Leia"), a regular piano for the ravishing "I Believe In You," delivered in Young's most beautiful voice, and a pipe organ for "After The Goldrush" (goosed by a more playful arrangement). It remains, at once, fragile and stalwart. ![]() It helped that Young's high, lonesome voice has lost none of its strange purity. He opened with three pieces on acoustic guitar - "My My, Hey Hey," "Tell Me Why," and "Helpless" - that could have come from any solo show of the last three decades. Young didn't extend this approach to the entire show.
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